In my last column, I introduced an approach to playing through a 12-bar blues shuffle in the key of E with some of my favorite licks to play over the IV (four) chord, A7, and the V (five) chord, B7.

In this lesson, I’d like to discuss playing over what’s known as a I - VI - II - V (“one-six-two-five”) chord progression, which is common in a variety of musical styles, from country to rock to folk ...