When Ari Aster made his feature film debut in 2018 with the chilling Sundance horror hit “Hereditary,” it seemed to herald a new king of horror for the “elevated” era. As immaculately made as the miniature houses constructed by Toni Collette in the film,

Ari Aster's “Eddington,” appropriately enough, has been divisive. Since its premiere at the Cannes Film Festival in May, Aster’s film has one of the most polarizing releases of the year.

The director’s polarizing new film comes after the commercial failure of ‘Beau Is Afraid.’ He’s not not worried.