In between those two, we’ve seen everything from gloriously ambitious horror best experienced in IMAX (“Sinners,” “Weapons”) ...

Gold Derby: All three of your films have different degrees of challenging elements in props and production design that you probably had to kind of figure out how to work with. I'm wondering if there's ...

Frankenstein', 'Bugonia' & 'Marty Supreme' have familiar names on cinematography Oscars shortlist, 'Sinners' & 'Train Dreams' ...

In this episode of the No Film School Podcast, host Charles Haine sits down with cinematographer Oren Soffer to dive deep into the groundbreaking and much-discussed visual style of The Creator. As the ...

The American Film Institute and Panavision have unveiled the participants for the 2024 Cinematography Intensive for Women, which takes place from July 27 to July 30 at the AFI Campus in Los Angeles.

Cinematographer Vikash Nowlakha reveals the creative challenges behind Dhurandhar’s unique visual language, from shadow-driven storytelling to grounded action sequences.

Anyone who has been to a YMCA in the early morning knows the harsh fluorescence of these environments. Accordingly, the film’s first two acts are brightly lit, appearing almost sterilized at times. In ...

Dan Laustsen, the cinematographer for Guillermo del Toro’s “Frankenstein,” discusses the filmmaking process, highlighting his ...

Daniela is a freelance writer with two years of experience covering entertainment. She is a senior writer on Collider’s freelance team and has also been published in other platforms, such as Elite ...

“A cinematographer is a visual psychiatrist–moving an audience through a movie […] making them think the way you want them to think, painting pictures in the dark,” said the late, great Gordon Willis.