The 'Invisible Man' writer-director talks about tackling another Universal horror icon for a horror movie reflecting the anxieties of COVID.

The writer and director of “The Invisible Man,” 21st-century style, is back with an interpretation of another Universal Pictures monster movie, “Wolf Man.”

“Wolf Man” then jumps ahead 30 years, to adult Blake (Christopher Abbott) out in a busy San Francisco enjoying daddy-daughter time with young Ginger (Matilda Firth). Like his father, he is very protective of his child, scolding her for not getting down from a construction structure she walks atop the moment he tells her to do so.

Australian creator of the Saw horror series talks about rebooting a werewolf classic and why he never thought Hollywood was his destiny

Leigh Whannell’s horror film Wolf Man hopes to join Den of Thieves 2: Pantera at the top of the weekend’s box office when it opens on January 17th, but judging by the mixed reviews from critics, it’s unclear how likely that’ll be.

Is there a greater monster to society than a mother who doesn’t know how to bond with her child? Or, perhaps, the woman who prefers to be at work where she’s confident, and successful - than at home,

While other people were making sourdough and learning how to play the bongo drums during the Covid lockdowns, Aussie Leigh Whannell and his American wife Corbett Tuck made the most of the nightmarish scenario by turning it into a horror movie.

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The filmmaker reveals the movies he screened for the Universal Monsters rebooters, discusses the importance of practical effects, and whether Bigfoot could be a Wolfman.

Leigh Whannell tempers the scares in Wolf Man, but ups the family melodrama, offering a tragedy in the classic Universal Monster tradition.