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Opening Klosters Music, Enrico Onofri proves that Classical-era music can still work well seen from a later perspective.
With Tchaikovsky’s music, glittering visual spectacle and wonderful dancers, The Australian Ballet's The Sleeping Beauty is a ...
Used to make string instrument bows for more than 200 years, Brazilian authorities wish to tighten trade on the critically ...
Director of Opera, Oliver Mears, was filmed trying to remove a Palestine flag raised by a performer during the final curtain ...
Mark Morris Dance Group’s second week at the Joyce Theater in New York unveiled a world premiere in a mixed bill that ...
Alina Cojocaru talks about the magical process of creating new roles, working with great choreographers and how, in spite of ...
Yuja Wang’s verve and panache, combined with the Tanglewood Music Center Orchestra’s fearless, youthful energy, forge an ...
The BBC's annual classical jamboree is launched in fine style with a premiere and a timely revival, conducted by Sakari Oramo ...
Cecilia Stinton’s new production of Lucia di Lammermoor doesn't necessarily make best use of OHP’s performance space, but the ...
After the premiere of Mark Simpson's concerto, Anja Bihlmaier concludes her BBC Philharmonic Prom with a rousing performance ...
Technical finesse and lively interpretations of dance suites showcase both the conductor's and the orchestra's strengths.
A single encore – the delicate Mélodie from Gluck’s Orfeo ed Eurydice – felt like a final nod to the recital’s narrative ...
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