As 2025 unfolded, returning to the ritual of asking filmmakers about the films that moved them feels both fragile and ...

Kimball Farley is the future. His breakthrough role in Hippo, the critically acclaimed dark comedy that RogerEbert.com called “an unholy fusion of A Clockwork Orange and Napoleon Dynamite” ...

When 28 Days Later arrived on screens in 2002, it marked a leap forward for both zombie movies and digital cinema. Eschewing ...

Telluride is not on my annual festival calendar—too distant, too costly—and rarely I’m at Toronto, only with a film. So as a ...

After spending the last Knives Out entry on a billionaire’s private Greek island, master sleuth Benoit Blanc’s latest mystery ...

In a year that saw the passing of Jean-Luc Godard, it’s astonishing to see a sometimes overlooked fixture of golden age European art cinema, Jerzy Skolimowski, directing one of his strongest films now ...

Toward the end of my interview with Gregg Araki, I remind him of his scene from Michael Almereyda and Amy Hobby’s 1995 documentary At Sundance. Sitting on a couch next to Todd Haynes, Araki is at ...

In setting out to make Nouvelle Vague, his effervescent ode to the birth of French New Wave cinema, Richard Linklater knew from the start that realizing his artistic ambition—to dramatize ...

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The following essay about Amos Poe appears in Filmmaker’s Winter, 2026 print edition in a section, Reflections, that looks ...

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